The Internet has transformed the social relations that were once managed by the powers that be. As a rapidly maturing communications technology, the Internet has brought people together even while it has reinforced privatism. The desktop computer, the laptop, the cellular and mobile phone, the Global Positoning System, the pilotless drone aircraft, video games and Government documents courtesy of Wikileaks, all are connected on the network of networks. Together these converged elements of a global socio-technical system offer wonderful possibilities for human emancipation, even while those ideas collide with established ideas of civility and decency. Utilizing a transdisciplinary approach, Uprising examines the way transgressive knowledge circulates in places and spaces where communication regulation has been removed. In doing so, the book offers a new approach to proletarianization. It is based on the theory that the deregulation of the digital infrastructure allows transgressive knowledge to be mobilized in ways that remake political economy. The current moment sees the Internet opening up questions about social organization, power and democracy. The unintended consequences that are attached to this analysis of the Internet are discussed in research about pornography and jihad. These case studies show how proletarianization can be used to understand the Internet, culture and society.

Can rock n' roll and politics mix? Rock Dogs looks at the impact of government music policies on the Australian music scene, youth culture, and national identity. In the 1980s to early 1990s, rock music in Australia became one of the unlikely targets of the Australian Labor Party's (ALP) cultural policies. Younger ALP politicians and activists were galvanized to create a series of unique initiatives, such as Ausmusic and the Victorian Rock Foundation, which targeted Australian youth through the music industry. The policies, which used techniques adapted from other cultural industries like television and film, were diverse and innovative, but unproven in the music industry. Despite the optimism fueling these cultural policies, various governmental inquiries, increased resistance from major studios, and a growing divide between the needs of the people and the music industry eventually dampened them. Rock Dogs is a candid, observant study of the legacy of these cultural policies and the larger debate over the creation and preservation of a national culture.

In Hollywood's search for cheap, distinctive, and authentic locations, producers and directors are taking their business to foreign soil. Only one of the five 2002 Best Picture nominees was shot in the United States-The Hours, filmed in Hollywood, Florida. Contracting Out Hollywood addresses the American trend of "runaway productions"-the growing practice of producing American films and television programs on foreign shores. Greg Elmer and Mike Gasher have gathered a group of contributors who seek to explain the phenomenon from historical, political, economic, and cultural perspectives, using case studies, challenges to contemporary screen, media, and globalization theories, and analyses of changing government politics toward cultural industries.